Double Baroque Trouble

Is the title too Harry Potterish? Ah well, this has been a week of studying languages (Italian and French mostly, I’m kinda running away from the German), talking a lot about opera (I really had a blast at the #operarox live show, really, those people are awesome, they get me! It’s so difficult to find people who are willing to talk about opera nonstop), and watching new stuff (new to me, this stuff is ancient actually).



Sarah Connolly as Cesare and Danielle De Niese as Cleopatra

Well, I’m gonna talk about the two last operas that I saw, Handel’s Giulio Cesare and Monteverdi’s L'incoronazzione de Poppea both productions from the Glyndebourne Opera and also staring Danielle De Niese as the leading lady. What I think is super cool about these baroque operas is that gender isn’t really an issue, I mean, you have women playing man and man playing women and it’s ok. And it works, and that for me is awesome, especially since I came from a very theatrical background where gender sometimes really doesn’t matter.



Danielle De Niese as Poppea

and Alice Coote as Nero

 

Well I automatically feel in love with the two leading couples! I love this more fiery kind of love that both have as opposed to sweet and tender one, I like love with action! Also I think it’s so cool how both ladies start off maybe not really in love with the guys, but then fall helplessly for them (especially Cleopatra, she turns out to be so devoted to Cesare!). And really, I don’t blame them because, those guys are really something! I don’t know if it’s the fact that they are Emperors, they have that power allure, although the power doesn’t attract me, what does it’s the attitude and the posture one has when it has absolute power. Does that even make sense?

Well, I loved both productions, I thought they were very well done, and it was my first time seeing both and they were both staged in a nontraditional setting. But as I’ve said before, these stories live through so many years because they are timeless. So you get it when Cleopatra wears a little black dress to seduce Cesare and then does the victory dance when she’s successful! I absolutely adored the guy who was the lady in waiting for Cleopatra (his character is a guy) so funny, like the sassy gay friend! Who would have thought there were sassy gay friends in Ancient Egypt! Again TIMELESS stuff!

While watching Poppea I made sure my bedroom door was locked, the last thing I needed was my parents walking into one of those spicy scenes. The opera itself kinda shocked me a little bit because I kept going back to something Tony Pappano said in a documentary about Italian opera, that Monteverdi was 70 something years old in the 17^th century holding the most important church musician position when he wrote this opera. And it’s pretty steamy; it’s one of the fieriest things I’ve seen so far in the world of opera.



Danielle De Niese as Cleopatra



I love Danielle De Niesse, I think she’s so fresh and she brings something so hers to the pieces. She’s a very physical performer, which I like very much, she can move, she can dance while singing and that I think adds so much to the whole interpretation of the operas. Sarah Connolly stole my heart as Cesare, she’s one of those women that just KNOW how to play man, she’s got the man swag, and I felt a lot of attraction toward her Cesare, she looked really hot. But to me, you really can't tell that she's a woman in that costume or whenever she plays guys really. Just to be sure, I asked my sister (expert cross-dressing cosplayer that she is) if she looked like a real man or not, and she told me she definitely did. Another mezzo who has got the man swag up her sleeve is Alice Coote who was playing the ever scary Nero (he scares me because he’s kinda like a serial killer). I’ve said before on the Cendrillon post that she is such a marvelous pants role performer and in this that the character is so different from Prince Charmant, she also nails.



Sarah Connolly as Cesare

I particularly like the scene in the second act where Nero is singing a duet with one of his senate companions (I really don’t know who that guy is actually) and they are talking about ruby red lips, delicious, irresistible, and it’s just so sexy! The music, Alice’s face changes with every passing phrase, Nero seems to at first be talking about Poppea’s lips, but then he looks at his fellow differently, and at first it’s an odd feeling for him, but then he kinda surrenders to it and just enjoys singing about the guy’s lips. And then singing about it isn’t enough, he has to kiss him, so he does and it’s a very “hold your breath” moment, he seems to enjoy it and but then he can’t do that, so with all his absolute power and grace he drowns the guy, still singing about the red lips! For me that was unbelievable, it was so intense, I loved it! 

But to me one of the most moving piece of music in Poppea is the final duet, oh God, it's so beautiful and the way they end in unison, they are one! And even though this opera is about power, sex and passion, with that duet it ends up being a piece about love and about two people who adore each other. Even though historically Nero kills Poppea one year after with a kick on her pregnant stomach, but let’s just pretend they lived happily ever after :)



 Alice Coote as Nero

Well, I don’t care about what other people say baroque opera rocks!

My first post on Cendrillon!

Yesterday was Christmas day and I must confess I had the best Christmas ever! Since I live in Brasil the season now is summer, so, hot as hell summer. So we had a barbecue by the pool with constant jumping inside it, it was the only way to keep our bodies in a bearable temperature. But it was rather fun! So since we’re talking about good times, let’s talk about something I love love love from my favorite French composer…

My first post on Massenet’s Cendrillon. So I haven’t watched the whole opera yet for one simple reason, I can’t find it anywhere on the internet, and stores just don’t sell these DVDs here in Brazil. Yes, yes, there are many, many productions out there on YouTube of Cendrillon, but I wanna watch the one from the Royal Opera House with Joyce DiDonato and Alice Coot!

There are a few clips, manly of Joyce, on YouTube from this opera, and only watching these snippets already made me absolutely fall in love with this opera! I already love Massenet, Manon was the opera that made me like opera in general after all, and oh God, it is impossible not to fall in love with his Cinderella. I’ve put up there the videos of the parts I’m gonna talk about in case you guys wanna see it.

One of the parts I like the most is the trio at the end of the third act! How the mezzos voices entwine and just sound so lovely, the color that comes out of it is superb! A especific moment in that trio is when the Fairy Godmother finally lets Cendrillon and the Prince Charmant see each other. The chorus kicks in ever so softly with a little melody that sounds so much like a Disney dream (I’m sure Disney stole this idea or something from Massenet).  And Cendrillon just looks scared and even a little ashamed because she’s in rags (correct me if I’m wrong, it’s just what I see) in front of her Prince, but then the prince calls her out and they embrace and it’s just SO ROMANTIC! God, really, I’m not a very romantic person, but, this moment is so full of pure sentiment and love, oh, it brings tears to my eyes, ‘cause at the end of the day they are so young and ingénue!  And especially when they arrive to plead mercy to the Fairy Godmother, the sound is just, crazy good (I wish you people could see my face, it describes what I feel about this moment perfectly!).

Oh and then there is Cendrillon’s and Prince Charmart’s alone encounter, which is just, so good! The guy is head over hills in love with her, and she can hardly believe that she’s actually there nevertheless that the prince himself feel for her. It’s just, this piece found its way through my heart and I must say, I can listen to it over and over again, and even though I don’t speak French, the music speaks for itself. The music alone can tell the story. And Alice Coot has some serious man swag going on. I showed this to my sister (my sister is a cosplayer so she's more than used to seeing girls playing boys, she herself does that a lot, so she can't be fooled easly) and she was astonished to learn that it was a woman. She could only tell once Alice started singing, but she tells me that before that she could have sworn Alice was in fact a man!

Another part that I love is Cendrillon’s first aria, oh sooo melancholic, and not in an annoying way (I normally find melancholic stuff irritating), it’s just Massenet, and I love his music! Well this first aria is awesome, so of course I went out there and asked my teacher if I could sing it. Yeah, I’m really a soprano so you can only guess that she said no. I was a bit upset, but she let me pick anything from the soprano French repertoire. But then when I downloaded the whole score from IMSLP the characters descriptions says that Cendrillon is a soprano! Don't believe me? I'll printscreen it for you! LOL Just in case you are wondering, I printed the part for this aria, just in case :)

Reste au foyer petit grillon, résignetoi Cendrille!

Sometimes I think the voice is like women’s hair, we’re never satisfied with it, it’s always “Oh, it could be slightly darker” or “Why can’t I reach that note with that color?” these little phrases even seem as if I’m talking about hair for Christ sakes!

I love French and I love French opera, so this is definitely not my only post on Cendrillon, but I just wanted to leave my first impression of the piece. Have a good one peeps!