Showing posts with label Renée Fleming. Show all posts
Showing posts with label Renée Fleming. Show all posts

Thursday, February 27, 2014

Here and Back Again in NYC (days 2 & 3) - Hartford, The Audition and Rusalka at the Met

Hallo world! It’s has been so incredibly crazy and wonderful! I decided not to post while I was there because 1- there was hardly any time to do so and 2- because I wanted to write it well. I’m already back in Brazil, arrived on Monday but let’s go back in time to NYC.

So Friday (the 14th) was kind of a dead day because me and my mum went to Hartford that day in the afternoon. So we basically just ate and got our stuff ready, went to Port Authority and got on the bus to Hartford. I did eat a Salmon Wasabi Bagel that had WAY too much wasabi and my eyes started watering, it was pretty awful. We got to Hartford at about 6, grabbed a cab and I could understand about 25% of what the taxi driver was saying (I didn’t really like him)! At the hotel there were the sweetest reception ladies that made us feel so at home and comfortable and with whom we shared a lot of conversation over our Valentine’s day dinner. Me and mum did manage to lock ourselves out of the hotel room which was pretty pathetic but also oh so funny. Our room was fantastic and I had a really good night’s sleep.

me and mum having our Valentine's Day dinner
Next day was completely different, totally heretic and crazy! So we woke up pretty early, had some breakfast and packed our stuff and asked one of the nice ladies from the reception for a cab. When we got to the cab it was the very same guy from last night! He left us at The Hartt School and my heart started pounding real fast. The whole university was covered with snow but I could see how absolutely gigantic it was plus it was beautiful. We got in and I checked in with a very nice girl named Mia (yeah, like the princess!) and we got to talking a lot and guess what? She knows Sydney!

I went to this talk thing that was happening in this big gorgeous auditorium (they have so many, I was drooling!) about scholarships and life on campus and the school. It was pretty nice and a good way to keep my mind occupied so I wouldn’t be so nervous. Around 11:30 I went up to the fourth floor to do my warm ups, there were some pretty nice people there (all the students that were working that day were incredibly nice). Well, I got into a professor’s office which was my assigned place for warm-ups and started doing my thing and texting my voice teacher. I did about 15 minutes of vocal warm ups and a guy knocked on my door and said they were ready for me. HOLY SHIT! I grabbed my stuff and out I went only to find Sydney standing there! I was so happy to see her that the nervousness kinda diminished a bit.

Selfie warming up!
But on I was and in I went for my audition. The room I took my audition in was quite big and there was a long table with about 6 teachers there. There was a small stage with a piano and a pianist. The teachers were really nice and kept asking me fun sorts of questions. They said I could pick my first song so I picked the Modinha by Villa Lobos which was what Gerald Finley had advised me to do. To sing in my own native tongue as quickly as possible to show them my individuality and all. The pianist was insanely good, the intro to this song is super difficult and he totally pulled it off. I sang and I think I did a good job, I didn’t crack and I could hear my voice travelling quite nicely in that room with incredible acoustics.

Then they asked me what else I had brought and they decided on Les Filles de Cadix! One of the hardest ones! Apart from being super incredible the pianist was also so very nice. That Spanish tune went on and there I was, I sang and I didn’t crack which was fantastic. I did mess up some tempos because I was so nervous but overall I think it went pretty well. The high notes sounded really pretty and were kind of effortless and I made it to the end without passing out. After I finished one of the teachers said “Thank you very much, we will let you know”. I then turned to the pianist in a very discreet manner (as if) and asked him if it was good thing or bad that they didn’t ask me to do the sight reading thing. He told me that they probably just forgot and so I thanked him and flew out of that audition room feeling the weight of the world finally getting off my shoulders!

Sydney was waiting out for me and she said that from what she could hear I went pretty well. She showed me around campus a bit, to the libraries and stuff but it was really cold and snowing. We went to a small auditorium where I would be taking my Music Aptitude Test, I was a little afraid of it but as soon as I took it I was chilled. It wasn’t very difficult but I couldn’t wait for it to be over!

Sydney and I
I had a chance to talk to some people who were applying to the school and everyone just seemed so nice! After some time me and mum met Sydney and we ate at a supermarket place at the university. It was a shame our taxi got to Hartford University so quickly, we had to say our goodbyes and leave for the bus station. It was snowing by then and really cold. Our bus left 20 minutes late and the driver drove SO SLOWLY I wanted to murder him.

You see, Saturday I had a very good balcony ticket for the very last Rusalka from the Met which is probably the last Rusalka Renée Fleming would do, ever. My bus was to leave Hartford at 4:00 and arrive in NYC at 6:30. Bottom-line I was oh so very nervous for the whole trip, I watched about 3 episodes of Dracula to see if I could distract myself, it helped a bit. I was particularly pissed off because the driver took 9th Ave to head to Port Authority which means that, yes, we went by the Met at about 7:30. I went to the driver and asked him for the love of God to open the door so I could hop out because I had tickets for the opera and I wouldn’t be able to make it otherwise. The fucking bastard said that he just couldn’t do that and so, yes, I saw the Met go by and so went by my first act of Rusalka.

But I wasn’t going to give up so easily, 7:43 we arrived at Port Authority and I was flying out of that bus and into the subway. Flying from the subway to Columbus Circle and ran 3 blocks up to Lincoln Center and let me tell you, IT WAS SOOO COLD. And the streets were filled with snow and ice so it was quite slippery. 7:55 I was in front of the Met hardly believing I had made it. As I ran up the stairs to the Balcony area I could hear the instruments tuning and that lady with that instrument I do not know the name of which meant that the performance was gonna start at any minute. I could have totally passed out when I got there. I went inside and looked back only to spot Mike right away! I started screaming “Mike, MIKE!” but my voice was very weak because of the running. Suddenly I hear someone screaming “ISABELA!” it was Harry. We waved enthusiastically at each other, I got myself some water and went to my seat just as the lights were dimming still panting from the running marathon.

To top things off just before the performance started Peter Gelb appeared on stage and there was a loud sigh from the audience and I was like “Oh no, oh no, no, no!”. Fortunately he was only there to let us know that Dolora Zajick was sick but that she still wanted to perform and passed on to us her apologies. It took me the overture to have my blood run in a more human rate. The curtains open and you can’t help but be completely and utterly transported, I totally gasped when I saw that scenery. By the way I have not seen the live in HD nor have I ever seen this opera ever before so it was all new to me. For the first act we have the lake where Rusalka lives with her Green Gnome dad, the effect used for the water is the same as the one they use for Turandot and it definitely looks awesome when you are in the house but must have caused some confusion for the HD viewers. The set was boosted by the most amazing lighting design that could take you to literally any time of day in that place.

Well, in the beginning we have three nymphs playing around (much like the rhinemaidens) and then comes the Water Gnome who is completely blue and a total base. That guy’s voice is deep as hell! This scene reminded me a bit of Das Rheinegold because of the three beauties teasing someone who they knew wasn’t up to their standards. Rusalka then appears and I’m FREAKING OUT because it’s Renée Fleming, one of my personal heroes for crying out loud! Right after some song making with her Gnome dad and telling him she’s totally depressed because she’s in love with a human prince she sings her signature aria. I’m not going to lie, I wasn’t a very big fan of the acoustics from where she was singing, her voice sounded a little muffed (gorgeous as usual but muffed), I think the tree was too upstage and too high so the sound didn’t travel as well as some of the other singers’ did.


But the aria itself was like walking into a dream, although I felt the tempo being a little bit dragged! I couldn’t believe my luck that was actually getting to experience such a thing as this! Renée was glorious and she held that high B flat just a little bit longer like she always does and then there was a rain of applause that must have lasted 30 seconds. Rusalka goes to the witch Jezhibaba so she can turn her into a human (very much like the Little Mermaid). Let me tell you Dolora Zajick did not sound sick at all, her voice is totally huge and it just traveled beautifully through the whole theater. The character of the witch wasn’t exactly a villain but more like a mean comic relief. She asks Rusalka for her voice in exchange for the potion that will make her human plus if her lover is untrue to her she is condemned to become a dark water spirit neither living nor dead for the rest of her days and if her lover kissed her after that he would die. Pretty brutal, right?


They leave and on comes the Prince played by dashing tenor Piotr Beczala. I had already seen him live as Lensky which was such a wonderful performance but this one was even better. He sounded absolutely on the top of his game, voice crystal clear, beautiful color and charming all over, just a dream! And of course he has all that prince swagger dominated so he looked and sounded just perfect for the role of the Foreign Prince. He walks in and goes straight to the water to which he looks lovingly and strokes the water.



You see Rusalka is a water spirit, even though she looks like a woman to the audience she is really a wave from that river. And when the Prince comes and strokes the water and stares at it so tenderly Rusalka falls for him, after all he is caressing her! When Rusalka reveals her human self to him it’s like one of those love at first sight scenes, the Prince is completely taken by her beauty but she can’t speak.

And so one of the most interesting things happens. On the page this part looks like an aria, just the Prince singing but when you see and hear it it’s more like a one person duet. His lines yearn to be completed by something she would say, same with some vocal lines. It’s quite romantic and Renée is so absolutely graceful! This role fits her like a glove! They head off and it’s intermission time.

Normally I’m not a very big fan of long intermissions but, one, I had fantastic friends to chat to and two even if I didn’t I could just stare at those beautiful chandeliers all through it quite happily. I finally met Mike one of my closest and oldest twitter friends and saw Sasha and Harry again. I might have been over enthusiastic when hugging the friends. We chatted and the 30 minute intermission felt like 10 minutes. The gongs went off and it was time for me to get me ass back to me seat.

Happy intermission!
Second act is set just outside the Prince’s castle where you can see a big stair case and some large glass doors that led inside the castle. This first part we had the kitchen boy (a mezzo) and a huntsman chatting about this strange girl that the Prince found by the lake and with whom he’s totally in love with. The thing is, nobody really likes Rusalka, they think she’s weird and a little bit nuts. Because as a water spirit she was sweet, gentle and shy but as a human she has the very same personality but now in a human body, for you to get a mental picture she’s a bit like Luna Lovegood, with her head up in the clouds. Plus she’s very frigid to the Prince's caresses because she doesn’t really understand them. So Rusalka is not at all popular and is feeling quite literally like a fish out of water.


They come out and the Prince is making an effort to try and understand why Rusalka is so different and odd. He says she’s beautiful but her beauty is cold and he yearns for the warmth of her love for him. Enters then THE bitch, the Foreign Princess who is so pissed off because she was to be marrying the Prince but isn’t anymore because of Rusalka. She makes every effort to try and humiliate and bully Rusalka and to make her look unfitting and odd to the Prince’s eyes. She sways his attention by pointing out that he is giving a ball and should be a good host. The Prince takes the Princess by the arm and leaves poor Rusalka outside alone. She is miserable obviously, for the first time since she traded away her voice Rusalka speaks and her father appears and they have a long conversation.




The Prince reappears with the Princess and we can see through the glass doors that he’s making out with her with much ardor. What a dick! He comes back only to scorn Rusalka and tell her it wasn’t really going to work out because she’s so odd and chooses to be with the Foreign Princess. The water Gnome appears and takes Rusalka away and tells the Prince what an awful mistake he just made. As the Prince approaches the Princess once more she now scorns him and laughs at his face.



End of act 2 and another great intermission featuring some of my best opera buddies. But all good things tend to feel as if they last 5 minutes and before I knew it we had to run back to our seats for act 3.

Now in act 3 we have all that ‘you reap what you sow’ thing. Rusalka is back to her lake, cursed and miserable but she hasn’t touched the water yet, only when she touches the water she used to call home will she be cursed. She urges Jezhibaba to help her get back to her sisters and forget all this business. Jezhibaba tells her there is a way for things to be just the way they were, Rusalka must take a knife Jezhibaba gave her and kill her beloved Prince, that way she will be able to live as a water nymph again. Rusalka is horrified and absolutely refuses to kill him saying she would rather suffer for eternity than to do that to him. Jezhibaba is hardly impressed and gives her a “suit yourself bitch” look and heads off.



Rusalka goes inside the water and BANG she’s doomed! The Prince hurries to the lake but it’s too late, Rusalka is inside and totally cursed for good. They sing the most gorgeous duet and a water platform thing appears and Rusalka walks on the water toward her lover. When they meet they share a kiss that kills him and Rusalka goes back to the bottom of the lake to an eternity of misery. The end. Holy moly, that was SAD! I had to literally take a moment to just chill after that because as it ended I was crying like a baby!

Curtain call time and the people were quite enthusiastic. Here are some amazing pics my friend Felipe Cunha took, mine are awful!

Emily Magee as the Foreign Princess
Dolora Zajick as Jezhibaba
Piotr Beczala as the Prince
Renée Fleming as Rusalka
After that we all head down to the stage door. Stage dooring is a lot of fun but it is also a very nerve-racking business. Because you never know in what mood the singer is going to be in or whatever so I’m always excited but a little bit afraid. The more I like the singer the more afraid I am and keep rehearsing what I’m going to say to them in my head. So you can only imagine the state I was because of Renée. Getting to the stage door we had our usual crazy people and some normal people, there were about 25 people there if I can remember correctly. Dolora came out and just walked past everyone, did not stop not even to take a breath. I do understand her though, she was apparently recovering from sickness and must have been really tired.

Piotr was a sweetheart as always! Gosh I adore him, he is such a fantastic singer, great actor and such a cool person. He stopped to chat with us and even said he remembered me from Onegin! It was really cold so I was wearing my ridiculous hat and as I took it off to take the picture with him he told me he loved playing that game so we thought the bird should make an apparition at the picture.


After a while Renée came out and my heart was beating so fast I could have chocked on it. She talked to everyone and signed everything, she’s so fantastic! Although she would sign the programs of the stage door beggars (yes, that’s what I’m calling them now, my friend Felipe’s creation) with just a line. She finally came our way and we got to chat with her a little bit and I told her everything I wanted to tell her. She was very sweet but we could see it that she was very tired. She signed everything and also wrote a few words for me in my Inner Voice which was so amazing. I forgot to take off the pathetic hat before the picture, hence:


After all the stage door fever me, we went to PJ Clarks to grab something to eat and did not leave ‘till 2 in the morning or something. It was pretty fun, I loved seeing some of my friends again and meeting in person others. So I guess that was that for that Saturday. Stay tuned for more and pray that I get into The Hartt School!

Cheers!  

Tuesday, December 10, 2013

Best Recordings and Books of 2013

So I’ve decided to continue the “best of 2013” lists, so here are the best CDs and books that I have acquired in 2013. Mind you, these were not all out in 2013, some of them are as old as 10, 15 years, but I bought them this year so there you go! I’m also organizing these in alphabetical order because I can’t choose which one is best. I’m also going to give the places and prices I paid should anybody be interested in getting any of them.

Best CDs

Angela Gheorghiu – My Puccini (2008)
  
I got this CD in my last trip to NYC at the Met shop for about $20, but it’s not on the website so here’s the Amazon link. I love Puccini with every fiber of my being and I think Angela does a great job in this Verismo repertoire. This is a two disc set, the first disc is a CD with some of Angela’s Puccini signature roles like Mimi (La Boheme) and Magda (La Rondine), as well as Angelica (Suor Angelica), Lauretta (Gianni Schicchi), Manon (Manon Lescaut) and Tosca (Tosca, duh!). The second disc is actually a DVD of clips of her singing and her reflections about Puccini. The tenor in this CD is Roberto Alagna which at the time was fine but now I find kind of odd. My favorite tracks in this are Magda’s part, specially the two arias and the end duet which is absolutely heartbreaking. I also liked her “Mario, Mario!”, it’s sweet and it sounds like they are having a wonderful time singing this piece.

Dmitri Hvorostovsky & Sondra Radvanovsky – Verdi Opera Scenes (2009)


This one I also got in my last trip to NYC at the MetShop ($19) plus this one is totally autographed by none other than Sondra Radvanovsky. These tracks were taken from a live concert they did together in The Great Hall of Moscow with conductor Constantine Orbelian. Now I’ve listened to this CD from back to back about a billion times I love absolutely everything in this CD. First it’s Verdi Opera Scenes with two of the BEST Verdian singers in the world. You have that GREAT scene of the beginning of act 3 of Un Ballo in Maschera, Amelia’s desperate plea “Morró, ma prima in grazia” followed by Renato’s “Eri tu” that is also so incredible, and it’s fun to hear the audience roar like CRAZY while clapping. Another scene that just drives me over the edge is the Confrontation Scene from Il Trovatore. HOLY. MOTHER. OF. GOD. They just ROCK this scene like no other! This is probably one of my favorite parts of this opera. Plus there are some neat solos like “Song to the Moon” from Dvorak’s Rusalka, “Deh vieni alla finestra” (PLEASE COME TO MY WINDOW!) from Mozart’s Don Giovanni and “Vissi d’arte” from Puccini’s Tosca. It’s a great CD, buy it! And fun-fact, the trousers Dima is wearing in the cover are actually Sondra's, it does not get any cooler than that! Just for you guys to get a little taste of that Trovatore scene, here it is!


Jonas Kaufmann – Romantic Arias (2008)

This is yet another one I got in my last trip to NYC and also got it at the Met Shop for $17. Jonas has to be one of my favorite tenors and in this recording in particular he’s sounding quite dreamy. With the use of the most varied repertoire that ranges from Wagner to Massenet and from Gounod to Verdi and from Puccini to Berlioz he sings all those songs that makes us sigh for the tenor. His brilliant rendition of Carmen’s “La fleur que tu m’avais jetée” is golden and his Werther is so passionate and heartbroken. Just as well as his De Griex from Massenet’s Manon, the hero blinded by love and his Cavaradissi from Puccini’s Tosca with his last words of love to his beloved. He makes you basically want to put him in a bag and take him home. And I think this is such a great recording because it has such a varied repertoire and you get a little taste of everything that Jonas does, which is great!

Joyce DiDonato – Drama Queens (2012)


I bought this CD on Amazon in February for about $16 (but now it’s $21) and it is also super signed! (all my Jdiddy CDs are signed) This is probably my favorite CD by Joyce DiDonato because I love every single aria in it and almost know all of them by heart (and that’s saying something when it comes to baroque repertoire). This CD is basically all baroque queen arias (which I thought was such a great idea!) with Alan Curtis conducting and Il Compresso Barocco accompanying. I wish I could have seen one of the concerts she did with Il Compresso Barocco with this repertoire, I have some friends who did go and said it was beyond incredible. If I have to choose some favorites in this recording they would have to be “Madre diletta, abbracciami” by Porta, “Lasciami piangere” by Keiser, “Da torbida procella” by Orlandini and “Mort ecol fiero aspetto” by Hasse.

Joyce DiDonato – ReJoyce – The best of Joyce DiDonato (2013)


I couldn’t possibly leave this one out. This was the very first CD I bought at the Met Store last October and it was about $19. As the name explains this is the best of the last 10 years of Joyce’s recordings but it’s so much more than that since Joyce let her dear fans choose most of the things about this CD. The title, the tracks, the cover picture was taken during a concert by a friend of mine, and also she filled the booklet with pictures of her fans (including me and some of my friends) and also quotes from fans (including mine), so it’s a real special thing and I’m so honored to be part of it. But on to the CD itself, this one is also a two disc set, first CD filled with mainly baroque repertoire (most of my suggestions made the cut!) and also some Mozart. Some of my favorites are “Crude furie degl’ orridi abissi” “Where shall I fly” “Scherza infida” by Handel and “Voi che sapette” by Mozart. The second CD is filled with belcanto specially Rossini and also some contemporary work she’s done. My highlights would be “Una voce poco fa” “Tanti affetti in tal momento” by Rossini, Strauss’ “Seien wir wieder gut!”, Jake Heggie’s “He will gather us around” and of course “Over the Rainbow”.

Olga Borodina & Dmitri Hvorostovsky – Arias/Duets (1997) 

This one was a difficult one to get, I got it at Amazon from a random person for $7 but now they apparently have one left in store. I love these collaboration between singers CDs, they turn out so great and fun because you don’t get only one voice all the time but two alternating. I adore these two Russian jewels that are called Dmitri Hvostovsky and Olga Borodina and I think their voices sound incredible together. Both have that Slavic depth and darkness (not too much but some) that I absolutely ADORE. This is a fun recording with my favorite parts being the Il Barbieri di Siviglia exerpts that include “Una voce poco fa” “Largo al factotum” and “Dunque io son… Tu non m’inganni”. I also love it that they get to sing in Russian as well in this CD, the excerpts from Tsar’s Bride couldn’t be more beautiful. And finally to close the CD wonderfully they sing the act 2 duet from Saint-Saens Samson et Dalila “J’ai gravi la montagne”

Renée Fleming – Strauss Four Last Songs / Signature Roles at the Met Opera (2008)

I got this CD on Amazon for $12, great deal, specially because this is a double CD set! This is like all the best from Renée Fleming, she’s so amazing in the repertoire she chose for these CDs. First all Strauss bliss starting out with the Four Last Songs that are hands down one of the most beautiful things I ever heard followed by selections from Ariadne auf Naxos and Die ägypische Helena. And then we have the 5 things I mostly love Renée in. First the letter scene from Tchaikovsky’s Eugene Onegin that I think she gets so fantastically well and her characterization of Tatyana is probably my favorite! Then we have her signature aria from Dvorak’s Rusalka “Song to the Moon”, fun fact about this aria in particular, the first time I heard Renée sing it was when I saw her concert live, yeah, PRETTY COOL. Then we have her heartfelt rendition of the “Willow Song” and Ave Maria from Verdi’s Otello and the mirror aria from Massenet’s Thäis. And to close we have the last scene from Strauss’ last opera Capriccio. This is a wonderful recording to have!

Sarah Connolly – Heroes and Heroines – Handel (2004)

This one I also got on Amazon for $17. Mezzos are awesome, they get such great ideas for different kinds of CDs! This one is awesome, Sarah Connolly is famous for her baroque repertoire and even more for her incredible performances in pants roles. So I guess this was what inspired Joyce’s Diva/Divo. In this CD Sarah sings Handel ladies and lords. She sings a lot of Ruggiero (Alcina) my personal favorite is, of course, “Verdi prati” and also the hero Ariodante, my favorite piece is obviously “Dopo notte”. She also sings Dejanira which is one of my favorite opera characters, she’s so insane! Her “Where Shall I fly?” is priceless and incredible! Plus this cover couldn't be more awesome, her lady self looking at her lord reflection! 


Sondra Radvanovsky – Verdi Arias (2010)


I also got this CD at Amazon for about $16. This is another one of those CDs that I listen back to back a billion times. Because A- Verdi is awesome and B- for me, there is nobody who can do more justice to these pieces than Sondra. Her voice was made to sing this repertoire so there is really no weak track in this CD. I love all of these arias but if I had to choose the ones I listen to more often I would have to say Il Trovatore’s “Tacea la notte”, Un Ballo in Maschera’s “Ecco l’orrido campo… Ma dall’arido stelo divulsa”, La Forza del destino “Pace, pace, mio Dio”, Ernani’s “Ernani, Ernani involami”, Aida’s “O patria mia” and Il Vespri Siciliani’s “Bolero”. Basically all of them, seriously, I left like, 3 songs out of that list. The coolest thing is that I got to tell Sondra how much I loved this recording and she was so thrilled, she even drew a little heart in her autograph. It was awesome.

Best Books
I’m listing here first my favorite opera related books of the year with the long notes I always make and after some other books I read this year that I also liked. Everything in alphabetical order.

As Óperas de Richard Strauss (The Operas of Richard Strauss) – Lauro Machado Coelho (2007)


This book is actually by a Brazilian writer and it’s only available in Brazil and I’m pretty sure I bought one of their last copies back in July. This book is part of a great (and expensive) collection that talks about all kinds of operas, Baroque, Romantic Italian, French, Wagner Opera so on. And this in particular speaks only of Richard Strauss and it’s such a wonderful guideline to travel through Strauss’ operas and also to understand his compositional methods. The writing is filled with knowledge but it’s not stuck up and quite a pleasant read.


Contos de Óperas e Cantos (Stories of Operas and Singing) – Sergio Casoy (2009)

Another Brazilian author, I’ve had the great pleasure to actually watch two talks he did about voice types. He’s an opera history professor and an opera critic. This book is so delicious to read and I actually read it in various ends of afternoons at the beach. It’s a compilation of texts Sergio Casoy wrote for opera programs here in Brazil over the years. They usually tell a little bit of the story of the opera but also of the back story in the making of these operas which are always super cool and sometimes funny. How did Verdi decide he would write Otello? How long did Donizetti take to write L’elisir d’amore? Plus, this book is dedicated to my vocal coach! How cool is that?

Diary of a Redneck Opera Zinger – Jay Hunter Morris (2013)

I got this on Amazon but you can also get it at the Met Store. The funniest opera book I’ve ever read! This book is like a compilation of the best emails he’s sent to his family and friends while pursuing the career of an opera singer. Jay is such a sincere writer and his take on situations are absolutely hilarious. There are all sorts of words written the way a Texan would say them which really adds to the reading because you imagine a Texan with a real strong accent narrating these situations to you. Like the time a crazy lady asked him to keep in his freezer a dead frozen dog sized bird. Or the time when he ripped his pants right in the butt area in the middle of the last scene of a concert version of Carmen and the audience roared with laughed. Or the time when he saw some people slip in orange vomit just out of stage door. Or when he finally got his big break as Siegfried only 2 years ago at the Met. This book is GOLDEN!

The Inner Voice – the making of an opera singer – Renée Fleming

I got it on Amazon in the beginning of the year for about $16. This is the best opera singer guidance book I’ve ever read. I love it! I think I read it 3 times already and would gladly read it again, I’ve underlined and copied my favorite passages. I’m actually quite self conscious about asking Renée to sign it because it’s kind of worn out! I translated the introduction to Portuguese for my repertoire teacher to give to her students but those people are so clueless they barely read it. There was ONE (out of twenty people who say they want to be opera singers) girl who asked me if I could lend her the book and I did and she loved it, most of the others don’t even know who Renée Fleming is which is both sad and utterly unacceptable. But on to the book, Renée tells the story of her voice and about all her difficulties and insecurities growing up to become the absolute success that she is. This book is a MUST for anybody who wants to pursue a career in singing classical music, specially opera, it’s so great!

True Tales from the mad, mad, mad world of Opera – Lotfi Mansouri

This isn't the cover of the book, although I would totally buy a book with this cover, but the thing is, Lofti wrote such a beautiful message to Joan Sutherland right at the very end of this book that drove me to tears so I though I'd be nice to have a pic of them together here
I also bought this book on Amazon for $15. First of all, the foreword is by Carol Burnett, I mean, come on! How cool is that? These are the memories of stage director Lofti Mansouri, of all the absolutely insane things he’s been through in this truly crazy business. Plus he worked with big legends of opera like Joan Sutherland, Luciano Pavarotti, Placido Domingo, Renata Scotto, Maria Callas, Jesse Norman and many, many others. This book is the literally proof that we do this out of love, because there is no money that can pay being put through the situations Lofti was. Like having a patron from an opera house tell him that a certain young soprano had to play the role of the Duchess in La Fille du Regiment. Or have a Russian mezzo sing a role she barely even learned in an English version of Der Fledermaus, ah, and the singer didn’t speak English, like at all. It’s funny now, but it must have been hell back then!  

Other titles that I read this year I thoroughly enjoyed that have absolutely nothing to do with opera are:

A Pocket Full of Rye (Agatha Christie) – Miss Marple’s case of various murders happening in the same house, you gotta love that old bird watcher!

Curtain (Agatha Christie) – Poirot’s last case, it’s just freaking GENIUS! And I was so glad I got to read it before the episode came out!

Death on the Nile (Agatha Christie) – ok, you noticed I love Agatha Christie novels, this is particularly amazing and with always such a surprising ending!

Eugene Onegin (Alexander Pushkin) – This is sort of opera related since it was because of the opera that I bought it. It’s such a wonderful work of art and even though it’s an English translation it captures some of the amazing essence of Pushkin’s words. Plus it’s written like poetry but it has a very narration feel to it.

The Big Four (Agatha Christie) – another master piece of mystery featuring my dear Poirot

The House of Hades (Rick Riordan) – Book 4 from the Heroes of Olympus Series which I absolutely love! It’s fun, easy to read and I read all the 600 pages in exactly 5 days.

The links for these last books are all from Amazon because if you live in the US the best deal is always to get it from Amazon! Well, I guess that's it! I might come up with another crazy list idea until the end of the week, I actually already have, so stay tuned. I'm watching La Boheme here in São Paulo tonight and I do hope I'm not enraged by what I see, my last experience in that theater was horrid to say the least. Ah well, my grade hasn't come out yet, so I'm suffering, so I appreciate any positive energy heading my way! Peace everyone!

Tuesday, June 11, 2013

All Mixed Up :D

Performance Butterflies
I don’t even have to say that this was yet again a very stressful week. I had all my singing tests this past week and I’m happy to say I did well in all of them. First my Chamber Music one in which I sang Faure’s Cinq Melodies de Venice song Cycle, it’s quite lovely although there are some songs that my voice doesn’t shine as others, because it’s a mezzo cycle, but anyways, it’s gorgeous.  I actually started making my new Chamber Music repertoire with more sopranoish stuff, it only has two songs Shubert’s Die Männer sind méchant and Fauré’s Après Une Rêve.
Well a couple of hours after my Chamber Music test I had my singing test in which I sang both Cherubino’s arias (choice that was utterly inspired by Vesselina Kasarova’s concert). I was kind of pissed off in this one, because the pianist screwed it up BIG time, she probably played everything wrong. I started off with Non So Piu Cosa Son, Cosa Faccio and as she began to play it was so wrong I asked her to stop (there was an audience by the way, it was recitalish kind of test) and start over after giving her the right tempo. No use, she stumbled her way through the aria, made NONE of the dynamics plus continued playing while I was singing the cadenza. Yeah, it was awful, but I just continued to sing, my voice didn’t sound as good as I hoped.

I made this little fun montage with Renée Fleming as Ariadne (I know this is the Strauss one and I did the Monteverdi one), then a pretty picture of Venice to represent the Faure song cycle I did and finally the one and only Jdiddy as Cherubino at the Met

Then Saturday and Sunday I sang the Monteverdi repertoire for the Opera Studio subject, it was also a concert. It was rather fun, we sang the Ariadne Laments, I was singing the second soprano, which I hate because 1- it’s written in a tessitura that is in no way flattering to my voice  2- I DESTEST singing in thirds, especially if I sing the lowest part (I mean, I don’t mind doing a bit of Cosi and Nozze di Figaro thirds). But second act I was the only girl soloist, YAY, we did Il Combattimento di Tancredi e Clorinda and I was Clorinda. I was very nervous, but I found my singing acceptable (I’m very strict with myself, acceptable is the highest praise I give myself). But I did get flowers and a standing ovation at the end and TOTALLY felt like Gheorghiu/Fleming hahaha
But I must confess that what I felt while I was singing, especially as Clorinda, was utter bliss. Of course there was that nervousness, but there were moments in which I forgot I was singing and I felt I was soaring, magical really. I was only able to ‘soar’ because I had rehearsed and studied that A LOT and felt protected and being taken care of by the conductor, orchestra and colleges. One of my bestest friends in college was playing the second violin and he said he got chills at certain parts when I sang, while he was playing, I think this was the best compliment I ever got.
And Dessay Dropped the Bomb
I think I’m going to babble about several things/news I heard this week then, I don’t have a particular topic in mind. First then, the freshest, Natalie Dessay is quitting opera. WHAT? Yeah, that was my reaction too, but most people weren’t particularly surprised. Maybe I’m slightly misinformed but I liked her Cleopatra so much at the Live in HD of the Met. Her technique might not have been the best in the world but so what? Her acting Marie was my favorite but I prefer Damrau singing wise. I just find it so odd to become “tired” of something that offers you so many possibilities of different roles as opera and different productions resulting in different interpretations of the same character. I mean, she’s 50, she’s technically still at her prime, I hear 50 year old singers like Krassimira Stoyanova rocking every kind of role you can imagine from 17 year old Tatyana to mesmerized Marguerite. But yes, she did have many vocal problems in the past and I hear that she does indeed smoke, which is never good in any level for anybody really.

But I just think it’s darn odd for her to give up on opera, not to be a mother or retire as is what singers usually do when they “give up”, to do live theatre. Don’t get me wrong, I love live theatre, I do live theatre, but I just find it odd. Because when I think of international star and theatre I think of Broadway and since the Tony’s were just the day before yesterday I couldn’t help but imagining Natalie Dessay there. It’s so weird! But as my twitter friends said, she’ll most probably do theatre in France in her mother tongue. Well, the best of luck to her, she will be missed that’s certain.  
Joyce DiDonato is Simply the Coolest person in the world

I just think this picture is simply awesome!

As many of you know Joyce launched Joyce and Me, the coolest project ever, a couple of weeks ago for fans to help her produce her 10th year anniversary double CD. This project is really quite marvelous, just last week she released the dreamy track list that had MANY of my suggested favorites in it. And now our new mission is to take cool creative pictures for her, at first I really didn’t have a clue of what to do and had kind of given up on the idea of sending anything really. But this morning it dawned on me and me and ma sister are taking the coolest picture ever! Since we haven’t taken the picture yet I’m going to keep the suspense up on the subject, but as soon as we send it I promise to post it here! I just really hope she likes it!
Joyce had quite a wonderful night on Sunday at La Scala singing her Venice themed repertoire and some good old Rossini. And something that I thought would never happen there did, a phone started ringing just as Joyce was reaching the top note for the ending of one of her Rossini arias. WOW, I mean, really WOW. The audience was quite revolted shouting stuff (as they customarily do in La Scala) but Joyce, refined and awesome as always, asked if it was Rossini who was calling to know if the aria went well. You can read more about it here ;)
Plus Joyce gave a brief but thought provoking interview to our friend Kevin, you can read it in his blog Non Piu Di Fiori(I love that name I wish I had thought of it first haha) So Joyce DiDonato, you win the trophy for most awesome and incredible person in the universe!
Master Classes from the Gods
And to wrap this crazy post I’m going to talk about some amazing Master Classes I’ve seen last week that have helped me so much in understanding this crazy thing that it is to sing.
I’m starting with the longest that is actually part of a series of Master Classes given by super professionals from all arts areas and the first episode was Placido Domingo Master Classes (what a way to start). This is truly a gift, four young singers win a competition and get to not only sing for Maestro Domingo, but have lunch with him, meet him during intermission of the opera he’s doing and GO TO HIS HOUSE. I mean WHAT? That is so cool, my favorite part of this is when they arrive in his house and there’s a huuuuuge wall filled with opera scores and their mouths are just hanging opened in awe. Mine was too by the way, it’s quite incredible.  

The next one is really only little snippets of 3 master classes given by the great Joan Sutherland, Ileana Cotrubas and Tom Crause. This is really inspiring and quite funny, it’s delicious to listen to the way they speak about the music, it’s so intimate to them already! Cotrubas is hilarious from her first “Are we singing Charlotte in pants?” to her last “Do you agree? You have to agree because I’m right!”. Also the way Crause describes the ball Don Giovanni throws at the end of the first act as an orgy and that he tells Leporello to pick up some hot chicks on the street is really amazing.

Going now to more current people I looove Renée Fleming’s Master Classes, because she’s a total nerd so she knows A LOT of stuff and I mean A LOT. And most importantly knows how to pass it on in an informative, clear and fun way. The two master classes that I like the most are first one she gave at Harvard for a girl who was singing the Fairy Godmother of Cendrillon. The girl was really good but Renée manages with her suggestions to decorate and make the girl’s performance even better, it’s quite inspiring to watch.

And also, a rather brief one that is also part of the Master Classes Series (just like Placido Domingo’s) that I couldn’t find on YouTube and am very upset because of that. But in this one she’s working with a mezzo who is singing the role of the page boy in Romeo et Juliette. Again she has exquisite good taste to give the finishing touches that make the difference. Just as if she’s decorating a wedding cake, you know? The cake is yummy already, but she is the one who makes the beautiful sugar flowers that make the people go wow, and she places them on the cake in a way that it looks perfect as if it was always there. You guys get the analogy, right?

And finally a snippet of a Master Class I should have watched before my Cheburino test. Susan Graham explains the character and really just shows the right intonation to every single word. Just brilliant stuff, Gosh I really wish I had seen it before my test! Although I did warm up with Vesselina Kasarova’s Master Class that started with Non So Piu also. I can't seem to put the link for the video here, so click here to watch Susan rock that Master Class :)

Well that’s it I guess, you guys have a wonderful week and peace always ;)